It's devices that a lot of storytellers use that I think hurts their stories. For example, I could say he sees a blurry lamp, and so, Mitch, he sees the lamp, it's blurry, he can't make sense of it. But what he didn't know is this lamp was going to ruin his life. Right. Yeah. Now, there are little things that people think are good transitions between the story, like leading the audience to get ready, something big is going to happen. But if you telegraph too much early in the story, the audience will just start guessing what it's going to be. And a lot of times it's fairly obvious. When I'm telling a story, it's all about, stick around because you're going to learn something that you were not expecting. There's going to be a plot twist. There's going to be a reveal. Instead of telling you that, the way I tell a story always includes a payoff. Always. You can look at every single story I've ever put on the internet, ever. And there's a payoff at the end that is absolutely intentional. And so your audience begins to know that's what they get. Yeah, there's loads of details, and I'm not really sure where this is going, but if I stick around, something big is going to happen.